Here and Gone (on exhibit)
It’s pretty exciting as a visual artist to see one’s name in vinyl print on a wall – especially when it is…
Read moreart
105° 14’ W x 40° 31’ N no. 98
More than a year in the making, the objects in this installation were in need of the right place. When I create…
Read more
94° 12′ W x 36° 22′ N no. 24
Sometimes when I have traveled away from my home on the plains I find myself working in a forest. Such lush and…
Read more
82° 29′ W x 43° 6′ N no. 7
Lonely sentinels.
Read more
105° 8′ W x 40° 37′ N no. 6
There’s not enough water out here in the arid West. Then there’s too much water. Submerged.
Read more
110° 6′ W x 43° 45′ N no. 10
Floating.
Read more
Amarillo Ramp (snapshot)
On the mid-September road trip I took with my daughter, Michaela, we visited Robert Smithson’s Amarillo Ramp. Like many remote land art installations,…
Read more
110° 43′ W x 43° 30′ N no. 9
The objects I created in this ephemeral installation reflect the weathered bones scattered about and the rusting metal implements left abandoned on…
Read more
123° 39′ W x 39° 9′ N no. 8
Sometimes we find ourselves in a dark place. Deep forests, even though there’s beauty to be found in the shadows, disorient me….
Read more
123° 43′ W x 39° 7′ N no. 4
Signs of civilization are everywhere, repeating themselves throughout the land. You see the same utility poles on the California coast that you see on the…
Read more