art in the middle of nowhere

here and gone

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Email: jennifer.rife.art@gmail.com
  • critiques (thoughts)

  • Vulnerable (thoughts)

  • Time travel (thoughts)

  • The afghan (thoughts)

  • Refuge (thoughts)

  • May 31 (thoughts)

  • May 18 (thoughts)

  • Artifacts pt. 4 (thoughts)

  • Artifacts pt. 3 (thoughts)

  • studio phase 1 (thoughts)

  • Artifacts, pt. 2 (thoughts)

  • Astronomer, Artist, Author (thoughts)

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critiques (thoughts)

While giving a critique of my work, a gallery owner told me that I needed to decide whether I was Andy Goldsworthy or Robert Smithson. Seriously? My binary choice is one of these male artists and either to create work with materials found on site or bring in the bulldozers?

I think not. There are many more on the spectrum of artists that have created land and/or environmental installations, including Nancy Holt, Ana Mendieta, Jackie Brookner, and Jerilea Zempel. What about them?

Some critiques I’ve had over the years have been very hard to hear, but useful, and have given me much to consider, challenged me, and helped me grow. But I get to choose what advice I’ll take and what advice I won’t.

And frankly, no matter which artists I take inspiration from, I don’t want to be any of them.

I’m me!

The image above is inside one of Nancy Holt’s Sun Tunnels, taken on my pilgrimage to the site.

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Vulnerable (thoughts)

I’m two years past my last chemo treatment, with no signs of the cancer returning. YAY!

Along with celebrating, I’ve been reflecting on my cancer adventure and the reality that my scars remind me of every day. The scars have faded some, but the memory of why they exist hasn’t.

My cancer and subsequent treatments made me vulnerable in a way I’d never been before. While I’ve been bound and determined to not lose the essence of me, the disease and treatments robbed me of strength, my high energy, much of my confidence, and my love of chocolate; and as substitutes, gave me lingering nausea, fatigue, neuropathy in my feet, a twitchy leg, brain fog, and a love of spinach. (I’ll admit, maybe the chocolate-for-spinach trade is for the better!)

I know people whose journeys have been much tougher and longer than mine, and I lost my sister and other loved ones to the disease, so even as I carry survivor’s guilt I’m incredibly thankful to be alive! But let’s face it, chemo is poison and no matter how much is infused into your body, there are going to be effects for an extended period of time. I have to deal with my reality of the fallout from ovarian cancer and the systemic, platinum-based chemo pumped into me to kill the disease. Every exam and blood test is now charged with latent anxiety. What if my oncologist tells me it’s back, or that there might be cancer growing somewhere else in my body? She tells me it’s normal for cancer survivors to feel this way and helps me cope.

I’m vulnerable in the hands of my doctors. I have to be. They are professionals with knowledge and experience. I don’t put on my public face with them, and I tell them everything that’s going on with my body and relevant mental issues. How else can they help me if I’m not transparent and honest with them? I have placed my trust in them, knowing full well that they too are human, and it is up to me to be informed with reliable and accurate information (thanks to the librarians I work with, I know how important sources are and how to sift through the misinformation on the internet). I need to ask the right questions and understand the answers.

Acknowledging that I’m vulnerable has also given me some freedom I didn’t feel before.

I’ve found freedom to advocate for myself and say no, even to things I want to do, in order to take care of myself. If I overdo it, I have to spend days resting. Managing my energy is my new normal and I have to do so very strategically. Sometimes I get really down that I can’t go and do all that I want (like join a friend in Australia for an art excursion on camels), and I have to claw my way out of that dark mental pit. It’s not on me to prove to the world that I’m a strong and amazing person who can go run a marathon. (That was never going to happen, cancer or not, because I HATE running!) If other people think I’m a wimp, so what?! I’d rather spend a day laying paver paths in the backyard so my dog doesn’t get so muddy.

My newfound freedom has manifest itself most vividly in making art. I don’t think about whether or not people will like or buy what I create, and I don’t feel like I have to prove anything. I’m free to try ideas that stretch me out of my comfort zone and fail miserably, or succeed wildly! I strive to carry out my vision and feel the experience in my soul. Each image of an installation takes me back to that place and moment in space and time, and is seared in my memory just as my scars are on my body.

 

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Time travel (thoughts)

My earliest memory of traveling through time was when I was 7 or 8 years old. My mom, Lana, and I visited a family friend’s ranch deep in Southeastern Colorado where we crawled inside a cave that had petroglyphs on the walls. I was mesmerized. Our friend whispered to us to not touch anything because we were on sacred ground. We were all very quiet, and the silence that filled the space gave me an awareness my young self had never felt before.

I’ve realized that this experience greatly shaped my feelings toward art. When I’m in a space surrounded by art that stirs my soul, the experience is very intimate, profound, and memorable; and I enter an awareness where time travel is possible. The art takes me away from my presence and reality defined by time, much like that first encounter with petroglyphs did so many years ago. I often experience this awareness when I create installations in the land.

My experiences with art works that have taken me to this state are etched in my mind: Sun Tunnels, Spiral Jetty, HEARD·DAM, Legend Rock, the Rothko Room, and the octagonal Agnes Martin gallery at SFMOMA, pictured here in a panorama. (As is most often true with photos of art, this image doesn’t come close to doing the work and the space justice.)

Maybe I was there for hours, maybe minutes. Does it matter?

 

 

 

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The afghan (thoughts)

My mother-in-law passed away over the weekend. I will always remember her hands in a blur of motion as she crocheted. She was constantly making something out of yarn—a hat, scarf, baby blanket—for someone.

Her spirit will forever be with us because of the beautiful wedding afghan she lovingly made for me and Fred. As I remember, it was a pattern she’d never crocheted before so it provided some challenges. She had asked me what kind of afghan I’d like, and we looked at patterns together. She was bound and determined that she would make the one I liked.

Over the years, the afghan has provided comfort in our home. Sometimes we’ve argued over who got to keep warm under the thick yarn. The afghan kept Fred warm while recovering from surgeries, and it kept me warm as I went through my surgeries and chemo. Michaela loved it so much as a child that she wanted to sneak it off to college with her.

But the one who seems to win most arguments over the afghan, and is most possessive of it, is Bella. She acts as if it were crocheted just for her. Perhaps she just has a sense of the love that saturates the fibers of the afghan.

 

 

 

 

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Refuge (thoughts)

Life takes a toll. The normal tides of living—the ebb and flow of stress and relaxation, illness and wellness, injury and healing—are sometimes overtaken by tsunamis that overwhelm. Top off the personal challenges with all the hate, vitriol and violence polluting humanity, and I find the need to take shelter and hide.

My garden is my refuge from it all. Listening to the water splashing in the fountain and the goldfinches singing; taking in the textures, colors and smells of the plants brings me peace and rejuvenation. When I’m digging to place or move a plant, I scoop up a handful of dirt, take a good whiff, and absorb the earthy scent!

Unless I invite people in or post photos, no one sees my garden but me and my family. It’s my creative endeavor that isn’t subject to critique or approval, as my art work and my day job work are.

When I’m in my garden, whether tending to its needs or moving to and fro in the swing Fred built me, I really don’t care at all what other people think about me, my work, or issues of the day. I can escape from the world with all its troubles and hide.

 

 

 

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May 31 (thoughts)

“Welcome to the Marine Corps, Mrs. Rife!” Thirty years ago today I was swatted with a sword as bird seed was tossed at Fred and me, celebrating our marriage. Swatting the bride at the end of the arch was customary when a Marine got married. Russ was kind and swung lightly. (Maybe he felt guilty for egging Fred on at the reception with the rest of the guys to get him to smash cake in my face!)

The event was a study in contrasts: all the Marine Corps lieutenants and the Navy ensigns in their dress whites; my hippie friend Laura, who wore sandals instead of her usual moccasins for the special day, singing “Annie’s Song” with her guitar.

I didn’t go to grad school and become an art historian and potter as I’d planned when a freshman in college. Instead, I became a wife. Yeah, it seemed a little odd for a left-leaning artist to marry a right-leaning US Naval Academy graduate, headed to become a USMC C130 pilot. I loved the man, not the career. Neither of us knew the full extent of what we were getting into when we married an opposite, but who does when they get married?

The frequent moves made it difficult for me to have a clay studio, so I worked in charcoal, pastel and gouache a lot during those years. A friend at one duty station gave me some paper coiling core leftover from a crafting class she took. I packed it along on a couple of moves, not knowing what exactly I should do with it. Another friend at a following duty station gave me a book on basketry. After much experimentation, I figured out what to do with the coiling core and started making vessels similarly shaped to those I had created in clay. Over the years I had a fair amount of success creating and showing my coiled vessels around the country, having some exhibited at SOFA Chicago with the Katie Gingrass Gallery, and having some pictured in a few magazines and a book.

Fred left the USMC 21 years ago. He’s a very kind, caring and compassionate man, not really a warrior, though he wanted to serve our country. Thankfully he’s kept me all these years, in spite of often being perplexed by what I’m making and my constant barrage of ideas! One of his friends called me “Mrs. Rife, the Marine Corps wife,” even though the role and I weren’t a good match. I never joined the wives club, but I was very skilled at identifying USMC and US Navy aircraft. (Doing so was much easier than distinguishing Monet’s from Renoir’s brushstrokes!) I met many wonderful women, even a few creatives like me, who were married to Marines. I considered myself fortunate to be among those very strong women.

Fred and I have stuck together through all we vowed on that overcast Saturday in 1986 — for richer and poorer, better and worse, in sickness and in health, plus several moves, houses, job changes, and DIY home renovations. What’s our formula? We’re equals in this partnership. Sometimes it’s about him, sometimes it’s about me, but it’s always about us. We’ve made mistakes, hurt each other and said “I’m sorry” many times. We forgive, we move on, and we try not to use past offenses as weapons.

We had a passage from the Song of Solomon read at the conclusion of our wedding ceremony: This is my beloved and this is my friend. Truth.

 

 

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May 18 (thoughts)

Graduation Day! Thirty years ago today (it doesn’t seem that long ago), I walked in the procession of students through the Campanile into Memorial Stadium, raucous with yelling and cheering. Among the thousands of people, I spotted Mom and Lana. I stuck my arm high in the air and waved, they saw me and recorded the moment.

I cherish my memories of this day: the youngest of the family, the one family members thought was too shy and sensitive and would crumble under life’s challenges, graduated from the University of Kansas, with highest distinction to boot! I worked my tail off and made it! Yippee!

(I’m in front of the Naval officer in white, second from the left, where the procession veers.)

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Artifacts pt. 4 (thoughts)

KU offered the perfect major for me – I could earn a Bachelor of Fine Arts in Art History through the School of Fine Arts (now the School of the Arts). The same number of studio courses were required as Art History courses. I could indulge my desire to make art and study art history in equal measures!

My studio courses consisted of some art and design basics, photography, and as many ceramics classes as I could fit into my packed schedule. I would spend the weekends in the clay studio, losing track of time and losing myself in creative flow. It was so wonderful!

I met my good friend Leah in the clay studio. We shared a space in the basement of the art building where ceramics classes were held. Our work was quite different – she created small and intricately detailed pieces, I created large vessels. (Though our work has grown and evolved, we haven’t veered off our paths too much!) One thing we both did was argue quite a bit with our professor, Dave, about the direction of our work. I think he pushed us to do so on purpose, and was pleased when we defended our work and stood up for ourselves. (Leah went on to grad school and is a professor of art at the University of Wyoming, so I get to see her pretty often!)

My favorite clay at the time was porcelain. I loved the smooth and elegant feel in my hands. (The small test piece pictured was sagger-fired with copper wire emerging from the hole and wrapping around the vessel. Sadly, a piece of the vessel was broken off in a move.) Often I experimented with firing the hand-built vessels in a variety of dried materials in smoke firings. The surprises on the surfaces thrilled me.

My 3D design professor, Eleanor DuQuoin, was demanding. I have a vague memory of hearing she had studied at the Bauhaus when she was young. One of our assignments was to go to the hardware store and buy a small roll of 18 gauge wire. We were to cut a number of 6″ pieces and straighten them. Then we had a test: she would roll each section down a slope to see if they traveled straight or veered left or right. I spent so much time trying to perfectly straighten those sections of wire!

At the time, her demands seemed a bit much, but in hindsight I’m very thankful she pushed me (gave me a lower grade in that class because she “expected more” from me) and learned that excellent craftsmanship is a priority in making art.

It was under Eleanor that I presented my first land art concept, a kinetic sculpture to be installed on the high plains. I crafted the model using wire, and used my hair dryer to demonstrate how it would move in the wind.

Now that I’ve finished cleaning out my studio (for the most part), I’m done posting on artifacts. Time to make stuff!

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Artifacts pt. 3 (thoughts)

Kansan by birth, Jayhawk by the grace of God.

This pithy statement rings true for me. I found my soul at KU. I developed artistically (learned to not blush in Life Drawing and enjoy the challenge of drawing the human figure), and flourished in art history classes. To learn the context of the art I was most interested in studying, I took all the German history and Greek history classes I could. My professors were excellent and challenging.

Fritz and Shirley brought me into this world and Lana welcomed me home in Lawrence, but we moved to Colorado when I was a mere 6 weeks old. A couple of times a year we packed up the family vehicle and traveled across Kansas to visit relatives and friends. I sledded on The Hill with my cousins, remembering to bail just before sliding into Potter Lake, and explored the KU campus with my sister and friend Bob. I learned the local lingo, the layout of the city and how to get around. There was always great anticipation and excitement associated with going to Lawrence, so I viewed it as a magical place.

KU was where I belonged. I was awarded an art scholarship, and was hired as a student assistant in the Murphy Art & Architecture Library in the Spencer Art Museum. I developed friendships with an eclectic and diverse group of people, ate lunch by a Louise Nevelson sculpture outside the museum, went dancing to celebrate the completion of German finals, and was one of 16,000 singing the haunting Rock Chalk Chant at basketball games in Allen Fieldhouse. I thrived.

Rock chalk, Jayhawk!

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studio phase 1 (thoughts)

Ahhhhh! Finally! A clean and organized studio. Phase 1 is complete.

My studio is a very small space in the basement of my 92-year-old house. I turned about 340° to take this panorama. I didn’t really need all the bones, wasps nests and interesting seed pods I’d collected over the years that were havens for cobwebs. (I saved some!) They took up a lot of space that I needed for materials, like old rusting pipes that I’ll someday use to make objects.

Part of the space juts out from the foundation, has a corrugated plexi roof, and served as a greenhouse by a previous owner. I get a ton of natural light. But it’s really cold at night and very hot in the day. I sewed a shade to help moderate the temperature extremes and diffuse the direct light, but it doesn’t help as much as needed for the place to be comfortable. The roof has started leaking, so this summer I plan to replace the roof, insulate it, and put in an energy-efficient skylight. (Fred will do most of the work – I’ll help and do the finishing.) Thanks to the fellowship I received from the Wyoming Arts Council, my studio will be a more comfortable place to make art.

Cleaning out not only made for a more functional studio, but finding old work caused me to reflect on my creative journey and confirm that my current work wasn’t an abrupt change in direction. I came across a couple of paintings  and mixed media pieces from 20+ years ago that incorporated objects into a landscape in which they didn’t belong. This is a road I’ve been on for much of my life.

The studio was clean just long enough for me to take this photo – there’s a new mess.

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Artifacts, pt. 2 (thoughts)

After a freshman year of finding my path in life, and an incredible week-long art history class at Mesa Verde studying the ancestral Puebloans with my favorite professor Chip, I went home for the summer. Once again, I was asked what kind of job I would get with an art history degree, and in spite of my plan to graduate a year early and head off to get a master’s degree, my father got in my head and convinced me I needed to become a high school teacher so I could get a job.

The art education track at the University of Northern Colorado was quite different from the fine art track, and I wouldn’t have time to take any more art history classes. So I did what any confused college student would do and changed my major. I switched to English education, figuring I could teach and be an author at the same time (I had to explore that “A” on my list of what-I-want-to-be-when-I-grow-up! See previous post.) As a swimmer and age-group coach, I decided to minor in P.E. to get a coaching certificate. Surely I could get a job after graduation! I registered for Short Story, Poetry and Linguistics in the English department and Volleyball in Physical Ed, and my father urged me to take Business 101.

The English classes were great! I especially enjoyed writing in Short Story. My professor was very demanding, but I learned so much. Volleyball: let me just say that I still duck when an object is flying toward me (many in the class were on the UNC volleyball team). Business 101 was a test of my mental fortitude. The professor droned, the subject did not hold my interest, and in each class I was afraid I might run out screaming.

So it was a great day when I had to drop Business 101! While stretching with my swimming team mates one evening, I tore my hamstring. (That’s what happens when you show off and say you can do something you can no longer do!) Because of my schedule and class locations, the only way I could get to classes on time was on my bike, and now I was unable to ride. I also had to drop Volleyball (darn) and quit swimming.

Mentally and emotionally I was stripped bare. Finding this freshman-year charcoal drawing while cleaning my studio brought back the memories of losing myself as a sophomore. My mom was my rock as I spent many hours on the phone with her, crying and wondering what to do. I missed art and art history. I needed to get back to it. But I also felt like a fresh start would be beneficial and I should leave UNC. I swallowed my pride and met with Chip: he’d wondered where I’d been since he hadn’t seen me around the art department. He talked to me about transfer options and recommended several schools in the University of California system. While I really wanted to apply to a couple, there was no way I could afford them. I was despondent.

Then on one particularly tearful phone call, Mom said “have you looked at KU?”

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Astronomer, Artist, Author (thoughts)

When asked what I wanted to be when I grew up, I was stuck at the letter A. At various times in my formative years I wanted to be an astronomer, an artist or an author.

My family had a set of science encyclopedias that I would sit with for hours, thumbing through the pages. The pictures from space most intrigued me, and I enjoyed our family excursions out in the country to examine the night sky and name the constellations. I remember watching the moon landing on TV in July of 1969 as a 5-year-old, then looking up in the sky afterward trying to make sense of people being in space. My sister Lana and I enjoyed constructing rockets from Estes kits and launching them, and I wrote a report on Robert Goddard in 5th grade. I took astronomy and physics in high school and enjoyed both classes immensely, but I wasn’t much of an explorer. I was afraid of what might exist out there, having a fear of extraterrestrial beings. (Thank you, parents, for taking me to see Chariots of the Gods when I was 10. I had nightmares for years about that!) But I was compelled as a teenager to visit Devil’s Tower, WY, because of Close Encounters of the Third Kind. I must have felt the need to confront my fears head-on, but they remained.

A consummate daydreamer, my head was always somewhere else. I was more into creating new worlds than seeking to discover those in our universe. As much as I could I sought solitary spaces for living in a place of my own creation. I drew pictures and maps of make-believe countries and wrote stories, and I created habitats and buildings in Mom’s garden for the imaginary people who drove my little Matchbox cars. It seems I was always making up a place. My favorite classes were art, literature and creative writing. Lines, words, imagery, poetry, positive space/negative space, foreshadowing, foreshortening, interpretation – I loved it all! My teachers who taught these classes were my favorites.

I became an artist, but I’m really fortunate that I also have friends and colleagues who are authors. As the project manager for traveling exhibits at my day job, I’ve had the privilege of working with and getting to know some astronomers, astrophysicists, planetary scientists and rocket scientists. All these amazing people, those who discover and those who create, inspire me.

 

 

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