110° 6′ W x 43° 45′ N no. 10
Floating.
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Amarillo Ramp (snapshot)
On the mid-September road trip I took with my daughter, Michaela, we visited Robert Smithson’s Amarillo Ramp. Like many remote land art installations,…
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110° 43′ W x 43° 30′ N no. 9
The objects I created in this ephemeral installation reflect the weathered bones scattered about and the rusting metal implements left abandoned on…
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123° 39′ W x 39° 9′ N no. 8
Sometimes we find ourselves in a dark place. Deep forests, even though there’s beauty to be found in the shadows, disorient me….
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107° 21′ W x 41° 58′ N no. 54
Stunning colors as the sun hovers on the horizon are the manifestation of fires blazing across the West, burning drought-ridden vegetation and…
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104° 54′ W x 41° 25′ N no. 10
Typical Wyoming days — blue sky, howling wind — are my favorites for getting out on the prairie and creating installations. The…
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123° 43′ W x 39° 7′ N no. 4
Signs of civilization are everywhere, repeating themselves throughout the land. You see the same utility poles on the California coast that you see on the…
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104° 55′ W x 40° 57′ N no. 9
Fires occur regularly near my home in Southeast Wyoming. Sometimes it’s a forest fire to the west, sometimes it’s a grass fire to…
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113° 51′ W x 41° 18′ N no. 2
Traveled through the ghost town (sort-of, there’s one inhabitant) of Lucin in 100° heat for this installation.
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critiques (thoughts)
While giving a critique of my work, a gallery owner told me that I needed to decide whether I was Andy Goldsworthy…
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art in the middle of nowhere 
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