Fallow (thoughts)
Fallow fields around my rural town always captured my attention as a kid, and I remember asking my dad why some fields…
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105° 14’ W x 40° 31’ N no. 44
When I read the email stating that art critic and author Eleanor Heartney chose this installation image to be included in Ecoconsciousness, “WOW!” and…
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Here and Gone (on exhibit)
It’s pretty exciting as a visual artist to see one’s name in vinyl print on a wall – especially when it is…
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105° 14’ W x 40° 31’ N no. 98
More than a year in the making, the objects in this installation were in need of the right place. When I create…
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105° 8′ W x 40° 37′ N no. 6
There’s not enough water out here in the arid West. Then there’s too much water. Submerged.
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110° 6′ W x 43° 45′ N no. 10
Floating.
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Amarillo Ramp (snapshot)
On the mid-September road trip I took with my daughter, Michaela, we visited Robert Smithson’s Amarillo Ramp. Like many remote land art installations,…
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110° 43′ W x 43° 30′ N no. 9
The objects I created in this ephemeral installation reflect the weathered bones scattered about and the rusting metal implements left abandoned on…
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123° 39′ W x 39° 9′ N no. 8
Sometimes we find ourselves in a dark place. Deep forests, even though there’s beauty to be found in the shadows, disorient me….
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107° 21′ W x 41° 58′ N no. 54
Stunning colors as the sun hovers on the horizon are the manifestation of fires blazing across the West, burning drought-ridden vegetation and…
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art in the middle of nowhere 
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